i am always harping on my students to go see artwork. monkey see monkey do, right?
last night i was at
gallery paule anglim to see
katherine sherwood's show. she was a professor of mine when i was an undergrad and totally influential. after school i worked for her for - in her studio and office for quite some time. that was a life changing experience. we discovered we have the same vocabulary/vision for color. i would print litho prints for her and she could say 10 in tangerine and 15 in bright lime green and i knew exactly what she wanted. that's actually a rare thing. your tangerine might be quite different from my tangerine, you know?
anyway - she was a mentor in many many ways. she helped me procure my first teaching job. i'm honored to call her a friend now. and her new paintings are STUNNING. really. she painted on the backs of these art historical prints that were mounted to linen [think vermeer, durer, renoir]. you can see the names of these legendary icons on some of the canvases. she's painted these amazing renditions of iconographic women - manet's olympia, ingres... but she's given them brain scans for heads [referencing the stroke she had 20 years ago], and they all have a disability [notice the brace on the woman above]. they sit on these STRIKINGLY gorgeous patterns. they are powerful, cheeky, art historically prudent [if you are an art history geek like me, these get you very excited on multiple levels]... and they are living in the same space with works by
joan brown. brown was in many ways a mentor to HER. it's a very strong and interesting pairing. if you are local - please go see the show.
good god.
i had seen pieces individually before, but never some of them. and never all of them together. 15 years of work. a mini retrospective. she still is one of my heroes. i've listed the everyday material in the captions below...
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buttons |
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cut pencils |
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paper plates |
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straight pins and glass |
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acrylic rods |
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mylar tape |
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straws |
Comments
How simpatico you and Katherine were/still are.